setstats

O.S.J. “THE BARBER OF SEVILLE”
Opened  with a Standing Ovation
By Iride Aparicio


Photos by: Pat Kirk
PRINCIPAL.jpg 
BRIAN JAMES MYER as Figaro

SAN JOSÉ, CA  -- “Figaro, Figaro, Figaro”  According to CESARE STERBINI’s Libretto, written for GIACHINO ROSSINI’s  opera “IL BARBIERI DI SIVIGLIA,” everybody calls Figaro in Seville, Spain during the seventeenth Century.  Figaro was the town’s witty barber, who aside from ahaving men’s beards, and fixing ladies’  hair,  fixed everything else, if paid for his help.  

So, (in the libretto) when Count Almaviva (KIRK DOUGHERTY) disguised as Lindoro, a  poor student, asks Figaro (JAMES MYER) to help him enter the house of  Don Bartolo ( VALERIAN RUMINSKI) the guardian of  Rosina  (RENÉE RAPIER) the woman he loves,  Figaro plans a way that when putting it into effect, keep the audience laughing, the singers acting different comic roles  and composer Rossini the opportunity to display his marvelous Bell Canto arias interpreted by the singers.   


LINDORO ROSINA.jpg
KIRK DOUGHERTY as Lindoro and RENÉE RAPIER as Rosina


And here we can add that on the Opera's Opening Night, on November 12 at the California Theatre, the OPERA SAN JOSE's singers voices were top Class.

On that night, the whole two acts of the work, moved smoothly. It was one of those rare nights in which all the elements go perfectly on the stage. The orchestra under the baton of ANDREW WHITFIELD, sounded rhythmically, and all the solos of the instruments were played in  tune.

Stage Director, LAYNA CHIANAKAS, managed natural acting from the singers playing the comic roles. On that night, one of the most outstanding performances was given by Baritone BRIAN JAMES MYER  in the role of Figaro. He acted his role with Gusto and demonstrated his wit, without exaggeration. His tone of voice was exquisite.  Another marvelous tone of voice was the tone to RAPIER. Vibrant, sonorous, and completely fluent when going up and down the scales in her melismas.  Her acting as the bore “Rosina” was believable.

Another tone of voice with unique quality that night, was the tone of Fiorello, Baritone (BABATUNDE AKINBOBOYE), who in the role of the Count’s servant, opened the opera directing a group of musicians serenading Rosina,  beneath her balcony,  singing the aria Ecco Ridente in cielo ( DON BASILIO.jpgSmiling in the Easter sky )
And it is here, when waiting for Rosina to open her window, that the Count, disguised as Lindoro, meets Figaro (MYER)  Witnessing  his popularity with the ladies, who come to greet him, hearing his boasting as "A jack of all trades" in his  aria "Largo al Factotum della citta"  (Open space (for me) the  handyman of the city)  and learning that the Figaro is Don Bartolo's (RUMINSKI, pictured Left) barber,  Lindoro asks for his help and pays him with a bag of gold coins.

And Figaro, the main character in this opera Buffa (comic)  based on the  episodes of French watchmaker, inventor, playwright, musician, diplomat. Spy, publisher, horticulturist, arms dealer, satirist, financier, and revolutionary  PIERRE BEAUMARCHAIS Trilogy of Figaro.  And it was because Figaro as a character was so "lively" to start with, that he was used by both ROSSINI and MOZART (in THE MARRIAGE OF FIGARO) in their operas to make their audience laugh.

And we did. We laughed with DOUGHERTY's impersonation of the drunk soldier, and second impersonation  of Music Teacher, Don Basilio ( COLIN RAMSEY) . We also also laughed with Berta (TERESSA FOSS) who sang her arias in a good tone of voice and played her role as the maid of Don Bartolo charminly, using stuffed cats. The episode of Rosina singing and Lindoro kissing her on the piano bench after don Bartolo, who was carefully “watching them” falls sleep on his chair. was was really funny.

    LAST.jpg
DOUGHERTY, RAMSEY, MYER and RAPIER as Lindoro, Don Basilio, Figaro, y Rosina


Yet, while Director CHIANAKAS funny details made the production delightful. not all made us laugh. The "carrot battle," went completely out of character, and the projected carrots, on the stage curtain, as a joke, to remind the audience that the Bugs Bunny, cartoon, Rabbit of Seville,( a Warner Bros. Looney Tunes theatrical cartoon short released in 1950) used the BARBER's music, did not go too well with the audience.

But it was a perfect night for sounds, and visually the opera was also marvelous. MATTHEW ANTAKY, sets, the front of don Bartolo’s house, with a balcony and fountain on the front is beautiful, and the red interior of the house elegant. The costumes (ALYSSA OANIA costume coordinator) are appropriate for the time.  

With THE BARBER OF SEVILLE, General Director LARRY HANCOCK gave the audience on that night one of the best productions presented on OPERA SAN JOSE's stage.

THE BARBER OF SEVILLE will play at the California Theatre until November 27. To order tickets call the box office at 404-437-4450 or order them online at https://www.operasj.org/